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Screenshot 2018-07-12 07.31.17Gabby Rivera’s book Juliet Takes a Breath is about the summer of coming out and self-discovery and intellectual risk-taking by a Puerto-Rican-American girl who has just finished her first year of college.

She lands an internship with the author of her feminist bible Raging Flower and travels to Portland to be a research assistant and (unintended prop) for a book talk.

Narrated from the first person in a fast, colloquial, conversational style, the book presents the culture shock of a girl from the Bronx encountering the hippie culture of Portland. One of the most hilarious scenes is her reaction to the white people on her first bus ride. She is amazed at the BO, the arm-pit stains, the dreadlocks, the boobs hanging free, the bushy, unkempt beards, the ratty hodge-podge of clothing. But what really made me laugh was this description: “Beautiful-hippie-stranger girl reached for the yellow tape to indicate her stop and a chia pet of pit hair popped out from under her arm” (65). Rivera writes this honest, unvarnished, tell-it-like-you-see-it prose that just portrays reality without a filter. Her narrator judges and then we see the narrator recognize her act of judging, stop, reflect and reorient. Mid-way through the bus ride, the aroma on the bus becomes “earthy.”

Juliet gets a whirlwind introduction to a culture and terminology and perspective which includes words like polyamory, primaries and secondaries, PGPs, trans, microaggressions (“little bullshit acts of racism” [157]). As she meets various other women in Portland, she becomes aware of the wide range of feminist and lesbian expression or philosophy or life-choices. With this new awareness, she discovers things about her own family.

One opinion this book communicated clearly is the idea of intersectionality and understanding that the experience of one woman is very different from the experience of another woman of a different race, ethnicity, religion, etc. The author of Raging Flower is an older white woman named Harlowe Brisbane who celebrates the power of the female (a new-age Barbara Walker) and while eager to be a white ally oversteps lines she does not see because of her assumption that having a vagina means all women have the same needs and struggles. In other words, white women sit down, shut up, and listen and don’t assume anything.

That is what I will do since Harlowe Brisbane is me — at least for the rest of this blog post.

But after this next paragraph.

I read this YA book thinking it might work as a summer reading and must decide NO. There is too much underage drinking and smoking of the devil’s lettuce. Other than that it would be an eye-opening book for students.

Click here for Gabby Rivera’s website. She also writes comic books. 

 

 

 

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When you realize that the past is really the present at the Mason-Dixon line

img_4512Last Saturday, a beautiful warm but not hot day, we took a bike ride starting at the Herr’s potato chip factory. We were supposed to start at the parking lot of Nottingham Park but that was closed to set up for a fair sponsored by Herr’s.

Anyway, SH, oldest son and I made a 21-mile loop through the countryside of southern Pennsylvania and into northern Maryland. The roads went through rolling countryside with no steep hills (good for me) and lots of shade. As we biked down Sylmar Road, we passed this marker where State Road bisected Sylmar. Pretty incredible. I suddenly had visions of soldiers fighting around that marker more than 100 years ago over whether African-Americans should be free people.

Sadly, we are still fighting over who should have equal rights in this country and whether we will allow folks (let’s face it, with brown skin) into a country built by immigrants.

Right now, the country has lost its moral compass and direction. The dominant political party consists of an obscene alliance of the ignorant and/or misguided, ultra-wealthy, Christian conservatives, and corporations. The GOP has taken over and is trampling the ideals of a 21st-century society which includes and respects the individual’s rights to live a life of free choice. But the other puzzle is that this same party seems so bound and determined to stay in power that it will allow Russia, a nation which the USA has considered an enemy and a threat for decades, to interfere with our elections and domestic and international policies.

Power is really that seductive.

That or their wish to impose their regressive, judgmental, paternalistic, and xenophobic views on the rest of us.

And last night the orange cheetolini who unbelievably is the president nominated for SCOTUS a man who has written that presidents should not have to face trial because it would disrupt the functioning of the executive branch. In other words, cheetolini has nominated someone who may decide whether he can be tried for crimes currently being investigated by Robert Mueller. Am I living in a banana republic yet?

 

 

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A Pair of Mitts

img_4503My family sometimes does a yarn swap for Christmas. Everyone puts in a skein of yarn in a brown bag. Then the bags are mixed up. Then you draw a name and then you take turns taking a brown bag of mystery yarn. My daughter was supposed to knit up the blue/grey wool which my mother spun for my sister. The project never quite got done and so I took the yarn and decided to make a pair of mitts for my sister to wear when she walks her Samoyeds in Wisconsin.

The ball of this two-ply yarn weighed 180 grams. Using a size 4 needle, the gauge was 17 stitches for 3 inches. This pair of mitts used 130 grams of wool.

Here are the directions to knit the mitts

  1. cast on 44 stitches for each mitten
  2. knit 1.5 inches of twisted ribbing in knit 1, purl 1. Twisted ribbing is when you knit in the back of the knit stitches.
  3. Increase 6 stitches evenly around each mitten to 50 stitches. Place marker in so you have 24 stitches on one side and 26 stitches on other.
    Be careful when you place the marker. You want the 26 stitch panel to be on opposite sides of each mitt so you that you end up with a right and a left hand.
  4. Using the Quartered Diamond pattern from Barbara Walker’s book A Treasury of Knitting Patterns, knit this design two times. Instead of doing her fancy side braid, I used a right twist to get a cable border.
    The Quartered Diamond pattern required 18 stitches so I added 2 purl stitches and 2 knit stitches for the front of each mitten:
    2 knit / 2 purl / 18 stitches of Quartered Diamond / 2 purl / 2 knit = 26 stitches
  5. Knit 3 rows of the Quartered Diamond pattern, and then start the thumb gusset at the marker for each mitten.
  6. Thumb Gusset
    In the stitch after the marker, knit front and back.
    On the purl side, just purl as you would normally.
    Next knit row, increase two stitches by knitting the front and back of the outermost stitch of the gusset. You might want to put in markers to mark the gusset stitches so you make the increases in the outermost side stitches.
    Continue to increase the thumb gusset on each knit row on either side until you have 16 thumb gusset stitches. Put these 16 stitches on a string and increase 1 stitch over the gap.
  7. Continue knitting the Quartered Diamond Pattern until you have finished 2 repeats over 40 rows.
  8. Decrease stitches for a better fit (optional)
    You might want to decrease the width of the mitt so it conforms more to your hand. I decreased these after finished the first repeat of the Quartered Diamond or after knitting 20 rows. You can do the decreases in two ways or a combination of each — it all depends on how snugly you want the mitt to fit the hand.

    1. Decrease 1 stitch in the middle of the hand (above the thumb gusset) every .75 inches
    2. Knit straight for 4 inches. Then decrease 3 stitches across the palm. If you want the mitt to narrow a bit more, you could do a couple of one stitch decreases in the middle of the hand above the thumb gusset.
      I had 40 stitches at the top of my mitts eventually.
  9. Finish the top of the mitt with 5 rows of knit 1 / purl 1 ribbing where the knit stitches were twisted by knitting through the back of the knit stitches. How many rows of ribbing you do is really up to you — do what you think looks nice.
  10. Cast off in ribbing. Each mitt is 8 inches long and 7.5 inches wide.

 

Now here is the fun part — decorating the Quartered Diamonds.

One reason these mitts are just perfect for my sister is that they are made of the yarn from the Christmas swap of about 3 years ago and the decoration is inspired by a book she gave me for my birthday — again about three years ago. The book is Anna Zilboorg’s Splendid Apparel in which she shows you how to embellish knitted fabric with embroidery.

I dove into my collection of tapestry wool to find colors to pop on the dark grey/blue background. All the embroidery was done with two strands of Persian wool yarn.

First, I used green woold to embroider Palestrina knots in the valley between the diamonds.

First, I used green woold to embroider Palestrina knots in the valley between the diamonds.

Second, I used peach and purple wool to fill each of the little diamonds with a cross stitch flower.

Second, I used peach and purple wool to fill each of the little diamonds with a cross stitch flower.

 

 

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Third, I used mauve wool to embroider lazy daisy loops to fill either side of the diamonds.

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Fourth, I used gold wool to add French knots in the center of each of the lazy daisy flowers.

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I am really pleased with how the embroidery of the fronts of each mitt came out. But here is a picture so you can see what the working side or back side looks like. It gets a little messy with all the different ends of colored wool.

Sew the side of the mitts

Carefully match the sides of the mitts together and sew up the sides. working from to the middle from the top and bottom.

Finishing the thumb — do this for each mitt

Using number 4 double points, I picked up the 16 stitches from the yarn holder and picked up two extra stitches across the gap for a total of 18 stitches. I knit 4 rows plain and then 5 rows in knit 1 / purl 1 ribbing. Then I cast off in ribbing. As I write this blog, I realize that I forgot to twist the ribbing for the thumb. But I don’t think my sister will mind!

Time to sew in the ends. I am always careful when sewing in the ends of yarn that I use this as an opportunity to gently close any gaps where the thumb meets the hand. But don’t pull the yarn too tight or the fabric will get too tight and be uncomfortable for the person wearing the mitts.

What is the time investment? 

How much time did I spend on these? Well, here are my best guestimates. The embroidery and the thumb knitting took about 5 hours. Knitting both mitts took about 8 hours. Total time making these unique and one of a kind mitts for my sister: 13 hours.

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Atwood approved

the powerNaomi Alderman’s novel The Power was published in 2016, and it certainly responds to the current political times in the guise of fictionalized history as modeled by Margaret Atwood’s The Handmaid’s Tale. 

The basic premise is that females of the Homo sapiens develop an unusual organ which allows them to discharge electricity. This organ, appropriately enough called a skein, seems to be the byproduct of genetic and environmental factors. This evolutionary development upends the dominant patriarchal power structure. This premise reminded me of Greg’s Bear’s 1999 book Darwin’s Radio which also theorizes that humans have not reached the apotheosis of their evolution and that the expression of embedded genetic codes can be triggered in response to environmental stimulus.

The narrative structure is rather complex and definitely shows that this novel is the product of drafts over time. Indeed, the central idea of The Power originated in another novel which Alderman junked in 2013. I read The Power on my Kindle and the Kindle opened the book to Chapter 1. I realized that the Kindle had skipped a bunch of stuff and so academic that I am, I went back to the beginning of the book and skimmed the prefatory stuff. This included a long passage from Samuel 1 of the Bible, a passage from a feminist religious text with Biblical cadences and some letters. Interesting, I thought rather vaguely but I wanted to get back to the novel.

It was not until I finished the novel that I realized that those letters are essential for understanding the novel. Those letters are exchanged between Neil the author of the novel and his mentor Naomi — who clearly is the writer who has greater recognition and fame in the imaginary world of Neil and Naomi. It can be inferred that Neil is a historian whose work is disregarded by scholars because he is a man and also because what he is proposing on the basis of scattered archeological records and shrewd surmise is an outlandish concept to his contemporary society. What Neil has sent Naomi to read and critique if his fictionalization of the events leading up to the Cataclysm (I will provide no further explanation of this phrase since it would be a major plot spoiler). I found the letters between Neil and Naomi more thought-provoking than the central narrative because of the way Alderman reverses nineteenth-century relationships between famous male authors/publishers and struggling but brilliant female authors.

Side note: While reading these letters, I thought of the Brontes who published under male pseudonyms and Mary Shelley who published Frankenstein anonymously; all of these women had reviewers insist that men wrote their books because women could never have imagined such violent or deviant characters and/or events).

When I finished the book, I went back and reread the beginning, some sections in the middle and then reread the end. Alderman’s characters are well-drawn, but it is really a novel driven by an idea of what gender means and how gender determines power.

And, let me be brutally honest, it is a bit of a retribution fantasy. I think only feminazis, Amazons and literary types would appreciate the themes and commentary. Although the cover does proclaim that President Obama thought the book worthwhile.

Read Claire Armitstead’s interview from October 2016 Guardian here. 
Read a book review by Justine Jordan in The Guardian here.

 

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Mohair Weaving on an Inkle Loom

This past weekend, I went to a shop called Nantucket Looms. The first floor has lots of home furnishings and at the back of the shop is a selection of woven items such as blankets, throws, towels, scarves, and shawls. Some were made of silk, or silk + wool, or cotton, or wool.

It was tempting to plunk down at least $325 for a luscious woven wrap with a herringbone pattern, but I resisted. My willpower is getting better! LOL!

The second floor is where all the woven items on the first floor are made. They had at least four floor looms and each one had someone weaving on it. The colors were beautiful and the quality of the yarn excellent. One woman was weaving a light pink mohair and the bed of the loom was at least 3 feet wide.

Watching her work, I got to thinking. My mom had given me an inkle loom while I was in high school. I had made a few bands on it using crochet cotton but nothing I was really thrilled by. Could I use that loom to make something else? I have lots of partial skeins of yarn in my stash that might work. Even some mohair which I was given by other folks.

img_4489The first step was to figure out if the inkle loom was in the basement and it was indeed covered with a drycleaning bag. I made new heddles for it. Then I found four different skeins of mohair that would work for a scarf.

Warping the loom took time and I created a stripe pattern using the blue and red boucle yarn. I used all of the dowels on the loom to make as long a scarf as possible. Each weft loop was 72 inches long.

img_4488This morning for 4 hours I wove the weft using a creamy colored mohair. At first, I thought I would not be able to advance the warp because of the fuzziness of the mohair going through the heddles but I figured out a way to pull with gentle pressure so I could move the warp 6 inches at a time.

I used a knitting needle to push the sheds up and down. When it was time to pick up the heddled threads, the knitting needle came in handy because I could use the tip to pick up each heddled yarn. Before I passed the weft across to the other side, I checked the yarn strands on the knitting needle to make sure I had picked up the correct number of strands for each color. Picking up the heddled threads took a lot of patience. The knitting needle also came in handy when lifting the threads to create each shed since I could use the needle to disentangle to mohair halo which had a tendency to mat.

When I had finished weaving, I untied the bow knots that I used when changing color on the warp. Then I took scissors and cut the other threads approximately in the middle of the unwoven section. Using an overhand knot, I knotted off the ends two strands of yarn at a time.

It is not a perfect scarf. I can see places now where I did not pass the weft entirely between all the strands so there are some places where the outermost yarn is loose. Overall, I would say this experiment was a success. The scarf is a bit scratchy — that is the nature of mohair — but I think it will be quite warm.

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A Whirlwind Weekend in Nantucket

img_4467SH got invited to give a talk on CAR T-cells at a special informational symposium for a private equity fund group called Great Point Partners. 

Boo hoo. This meant that we had to fly via a private jet to Nantucket and stay at a really posh hotel near the center of town, and go to several fancy dinners. On the first night , we were addressed by Scott Hamilton, who img_4447told us about his life, his quest for Olympic gold medals, and his fights against cancer. On the second night, we were driven to one of the best restaurants on the island. Toppers is right on the ocean and they have a lovely raised deck near the water where groups go for appetizers and drinks. There I ate my first raw scallops and oysters. Now I wonder why it took me so long to try either one. I think I absorbed that prejudice from my father or mother.

Oh, and one more hardship, during the cocktail hour, they kept serving Kristal champagne.

During the day, my poor SH was stuck in a room giving a talk, being peppered with questions, listening to other people talk and peppering them with questions.

But I was free to explore Nantucket, check out their only knitting store Flock, and do a lot of window shopping. I also went to the Nantucket Lightship Basket Museum. I did my exploring both on foot and by bike on Friday afternoon and Saturday morning.

img_4483The highlight of the entire trip was the afternoon we spent sailing on the tall ship Lynx. This replica of an 1812 privateer had two masts and was covered in sails. They even shot off the cannonade, a short-range cannon often used on merchant ships. And the only reason I could even set foot on this ship was that SH had gotten me a match to prevent motion sickness. Over the last few years, I have had to skip out on other boat trips such as a tour of Maui’s Napali Coast, because the movement makes me almost immediately nauseous. But the patch has limits. I tried to go below to see the crew’s galley and had to go back up on deck.

On Sunday, SH could finally relax since all the meetings were over. We borrowed a couple of bikes from the hotel and rode through the heat and hot sun to Dionis Beach. When we returned to Nantucket, we had some lunch and then icecream in a waffle cup. We also visited the Nantucket Whaling Museum. This was a wonderful way to end the weekend.

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A novel with poems for chapters? Yes!

poet XI read Elizabeth Acevedo’s novel The Poet X  in a single evening which does not mean anything at all negative. It means rather that the characters and the plot were compelling, but I was even more interested in the structure and the style of the text. Acevedo is a spoken word poet, and this is her second book. Check out her website!

The book’s narrator is a young Afro-Latina high school girl who chronicles her struggles to define herself against her aggressively Catholic but loving mother, her genius twin brother, societal expectations, and male presumptions about a voluptuous girl. The book also explores issues of hetero- and homosexuality. The narrator is realizing she is attracted to boys, has sexual desire but is a little afraid of actual intercourse (and thus refrains from having sex with her crush), and can give herself sexual pleasure. The narrator’s brother is gay and he hides this from everyone in the family, including his younger twin sister because he knows for his father and especially his very religious mother (she wanted to be a nun before she was forced by her family to marry the father so they both could immigrate to the USA) this is incomprehensible and irredeemably sinful.

Acevedo gives Xiomara Batista has a strong, distinctive voice, combining multiple linguistic registers of spoken and written English and Spanish. She uses multiple poetic forms including haiku and rhymed couplets. In one chapter, she reviews and discards various European poetic forms as not appropriate to her emotions and situations.

It does not hurt that Xiomara has an English teacher how cares and keeps encouraging her to join the Spoek Word Poetry Club.

I also love how Xiomara receives writing assignments and she gives us what she really thinks in the first draft and then she gives us what she actually turned in on safe, acceptable topics. For example, the teacher asks each student to describe the impactful day of her life. In her first poetic draft, Xiomara says it was when she got her period. But then she gives us the prose essay she actually turned in which was about another topic entirely more conventional. Her last essay goes through four or five drafts and Xiomara gives us all of them.

The book ends with an almost Shakespeare like metareflection on the power of words to transform the world and the person by facilitating an alternative interaction and response to reality.

I would really like to pull this book into our summer reading curriculum. But I need to figure out how to present the chapter of obvious self-pleasure. A few years ago influenced by the delicate objections of an older English teacher, we nixed having Jamaica Kincaid’s novel Annie John become a summer read because of paragraph metaphorically describing masturbation. Shakespeare called it “traffic with thyself” in Sonnet 4 as I learned from Chris Cox’s article from 2010 in The Guardian.   I think the girls would love the heroine and the realism of this novel.

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The flowers of the late June garden

We don’t have many blooming plants in our garden because we get so much shade. But here are a few of them: monarda, daisies, echinacea, lace-cap hydrangea, bulb lilies, anise hyssop and purple poppy mallow. Most of these plants came from Prairie Nursery. It did take them a 2-3 years to really establish themselves and start blooming. The bees are particularly fond of the monarda and the hyssop.

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Sometimes you change your mind about a book

wild beauty take 1Yesterday I started reading Anna Marie McLemore’s magical realism book Wild Beauty and today I finished it.  The point of view oscillates between a girl named Estrella and a boy named Fel. The girl is one of a generation of five female cousins, all born from different mothers and all those mothers are born from separate grandmothers. The premise is that each woman has one child and that child has a special ability to miraculously grow a unique flower such as a dahlia, azalea, morning glory, or calla lily. Estrella can grow starflowers or borraja.

Why are there no men in the family? Well, once there were men, but they all disappeared because an ancient curse put on the women.

But this youngest generation of five girls are all in love with a girl, Bay Briar, who lives in another house and they all hide their love for fear that their mothers will disapprove.

All three generations of women live on La Pradera which is owned by the other girl’s rich family. They take care of the property and make all the flowers and plants thrive. None of the women can leave without suffering and dying unless they return.

One day, the girls decide to make a sacrifice so their combined love of Bay will not kill her. And Estrella finds the boy Fel who has no memory of who he is.

The book is a mystery about the origins of the cursed horticultural magic of the Nomeolvides women and the identity and past of Fel.

Now here there might be plot spoilers so if you don’t want to know the end, read no further.

I started reading this book to see if it would possibly work as a summer reading for maybe the tenth grade. I found the book boring and the prose a bit overwrought and the characters stereotypical. The political agenda of the book was quite plain in terms of supporting same-sex love and maybe even some gender-bending.

But it was not until I had quickly finished the book and thought a bit more about it that some of the other themes of the book surfaced. McLemore underscores how the brown Latino and Latinx people are oppressed and exploited by the rich whites. In her story of the miners who are often undocumented, underage immigrants, she shows how they are dehumanized and dismissed — their names left off the official list of miners so when the quarry collapses, their deaths are never known.

But what is also striking is Fel accuses the Nomeolvides women being complicit because they grow the flowers which cover over the fallen walls of the quarry and the graves of the buried men. They are complicit only because they don’t know the history of the quarry because that story is controlled by the wealthy white Briar family.

So I still find the shifting narrative point of view and the overly metaphoric use of diction annoying, but I also must applaud the author for weaving together these threads of contemporary social criticism in the guise of a fairy tale. Make room ye great practitioners of South American magical realism for Anna Maria McLemore who is continuing your tradition of using fiction as a weapon for justice and ethics.

Borraja or Borage

Borraja or Borage

 

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Spicy Hot Daylilies

When I was growing up, I only knew the common road-side orange daylilies. Now they come in all colors and shapes: lemon yellow, shadowy purple, rich burgundy, lime green, ruffled pink.

The lilies bloom from serial buds on a single scape. One lily blooms in the morning, shifting color all day, and then shrivels up at night. The next morning (or the morning after that) a new lily blooms.

Here are a few from our garden in the last few days.

Most of our daylilies I buy from a nursery in Missouri called Gilbert H. Wilde and Son. I do not tell you this as an advertisement, but just in case you also want to look at their amazing selection. When I do order from them, I make it a matter of principle to only buy the lilies which are on sale. When our daughter was born, they were selling a daylily that shared her name so of course I ordered those and planted them in the garden.

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